Similar Items: Contemplative Absence: Sacred Experience in Abbas Kiarostami’s The Wind Will Carry Us and the Aesthetics of Slow Cinema
- Numinous Matter: Time, Image, and the Sacred in Tarkovsky’s Cinema
- The Aesthetics of Imperfection: A Theoretical Evaluation of the Meaning Layers of Glitch Aesthetics in Communication Design and Cinema
- Review of Architecture in Cinema
- Oral History Study on Erotic Cinema: Turkish Cinema from 1974 to 1980
- Bollypolitics: Popular Hindi Cinema and Hindutva
- Review of Contemporary Art Cinema Culture in China