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<title>Channels - 2026 Sundance Film Festival: Introduction :: FRELIP Discovery
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Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films
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Filming Modernity and Islam in Colonial Egypt
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Theology and the Films of Christopher Nolan: Cinematic Transcendence
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Coding And Signification In Cinema: Semiological Perusal Of The Film In The Shadows
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The Stakeholder Spectrum. The History and the Current State of Participatory Film in Hungary
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Rural Landscapes and Affective Encounters in Radu Muntean’s Film, Întregalde
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Review of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women
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Zeki Demirkubuz as a Creator of Meaning: A Critique of the Film Hayat
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From Cinema to Youtube: Globalization and Active Audience of KKN Di Desa Penari Film
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The Relation of Film, Literature, and Music: The Big Lebowski’s Soundtrack as a Means of Significance Beyond the Anglophone World
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Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout
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Deconstructing Japanese Romance Films through the Lens of Wabi-sabi, Mono no aware, Yūgen, and Kawaii (1990-2010)
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Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here
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Rethinking Jewish Representation Amid Rising Antisemitism
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Paralyzed by Hope: The Maria Bamford Story
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Taga
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Together Forever
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Tuktuit: Caribou
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Get Busy Living: Leaping Out of Confinement with Kierkegaard in The Shawshank Redemption
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Numinous Matter: Time, Image, and the Sacred in Tarkovsky’s Cinema
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The Inscrutability of Providence in Tarkovsky's Stalker
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Not Yearning to Be Saved: Arranged (2007) and the Politics of Liberal Savior Narratives
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Contemplative Absence: Sacred Experience in Abbas Kiarostami’s The Wind Will Carry Us and the Aesthetics of Slow Cinema
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Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood’s American South
