Channels “We can give it different form”: From garbage to beauty — raising ecological and gender justice awareness through the art of Meena Kayastha
“I’m Not Pretty Anymore:” Femininity and Beauty in the Barbie Movie
Why We Should Care About LGBTQIA+ Aging
“We Gained Our Independence, But we Lost Our Mothers”: Documenting Post-Communist Female Migration through Home Videos in Otilia Babara’s Love is not an Orange
Escaping the Absurd. The Corporation and Form in American Psycho
“Translating is also a way of doing justice”
We Learn by Doing, Leading, and Competing: Women in Athletics and Physical Education at Bridgewater and Beyond, 1890-1960
The Re-seen Past: Refugee Stories and Postmemorial Revisionism in Ocean Vuong’s On Earth We’re Briefly Gorgeous
Those Who Can Pay: The Impact of Socioeconomic Status in Long Term Care
“You can always hold out a piece of bread in the void” : Food and Duras’s War of Waiting
Erratum
Editors’ Note: American Narratives and Video Games
Video Games as Literature? Realist Discourse in Red Dead Redemption 2
Play Me for a Fool: Horror-Inducing Madness from Edgar Allan Poe to The Dark Eye (1995)
Animal Poetics and Literary Thinking
Videogame Narrativity: Tense-Aspect-Mood, Mechanical Drifting, and the Valences of Play in Kentucky Route Zero’s “The Death of the Hired Man”
Replaying Adolescence: Temporality and Recurrence in Life is Strange and The Catcher in the Rye
Playing the Hollywood Western on Repeat: Cinematic Realism in Mad Dog McCree
Living the Dream, Playing the Nightmare: Remediation as the Critique of the American Dream in American Arcadia (2023)
“It’s Like It’s from a Movie or Something”: Narrative Instability, Remediation, and Cultural Prestige in the Indie Video Games Hotline Miami and Katana Zero
Affective Necropolitics, Procedural Necrorhetorics, and the US–Mexico Border in the Call of Duty Series
Playing the American Nightmare: Japanese Horror Games at the Millennial Turn
Playing Moby-Dick: Agency, Disempowerment, and Adaptation in Nantucket
The Frontier as American National Identity Narrative in the Red Dead Redemption Games
Sleater-Kinney’s Electric Feminism
