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Ashley Hope Pérez. Deformative Fictions. Cruelty and Narrative Ethics in Twentieth-Century Latin American Literature. The Ohio State University Press, 2024.
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It’s Not All Black and White
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Visual Dialogues on Gender: Women’s Perspectives from the UAE, Saudi Arabia, and Qatar
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Seeing Reality from a New Dimension
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Wombs, Wizards, and Wisdom: Bilbo's Journey from Childhood in The Hobbit
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Play Me for a Fool: Horror-Inducing Madness from Edgar Allan Poe to The Dark Eye (1995)
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Rewriting Herstory: Women from Micro-Histories to South African Fiction
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Screening for Heavy Metals in Tea Leaves from Bangladesh Using X-Ray Fluorescence
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Their Plea for Freedom – Their Flight from Home: Jewish Women’s Quest for Education, Love, and Anarchism
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Teaching Hurricane María: From Chaos and Crisis to Healing and Resistance in Contemporary Puerto Rican Fiction
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“It’s Like It’s from a Movie or Something”: Narrative Instability, Remediation, and Cultural Prestige in the Indie Video Games Hotline Miami and Katana Zero
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Public Discourses about/by Women Migrants and Refugees from Central and Eastern Europe: (in)Visibility and (dis)Empowerment
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“We can give it different form”: From garbage to beauty — raising ecological and gender justice awareness through the art of Meena Kayastha
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Notes on an Installation: Crater of a Home, Corner of a Mind
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Transitions of a Myth? The Idea of a Language-Defined Kulturnation in Germany
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“I was a witness”
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Witness to a World in Crisis
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“A new sense of life’s possibilities”
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A Case Study in Tipping: An Economic Anomaly
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“Translating is also a way of doing justice”
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A Woman’s Revolutionary Discourse: Olympe De Gouges
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There, Then Back There Again: A Personal Reflection on Environmental Responsibility While Traveling Abroad
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“Broken, I Want a Serious Relationship”: The (Self-)Representation of Heterosexual Masculinities on Tinder in India
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“You can always hold out a piece of bread in the void” : Food and Duras’s War of Waiting
