Channels “We Gained Our Independence, But we Lost Our Mothers”: Documenting Post-Communist Female Migration through Home Videos in Otilia Babara’s Love is not an Orange
Why We Should Care About LGBTQIA+ Aging
We Learn by Doing, Leading, and Competing: Women in Athletics and Physical Education at Bridgewater and Beyond, 1890-1960
“We can give it different form”: From garbage to beauty — raising ecological and gender justice awareness through the art of Meena Kayastha
Their Plea for Freedom – Their Flight from Home: Jewish Women’s Quest for Education, Love, and Anarchism
Editors’ Note: American Narratives and Video Games
Video Games as Literature? Realist Discourse in Red Dead Redemption 2
Documenting Silences - An Ethnographic Inquiry into Gender-Based Violence among Migrant Agricultural Labours in Maharashtra
“It’s Like It’s from a Movie or Something”: Narrative Instability, Remediation, and Cultural Prestige in the Indie Video Games Hotline Miami and Katana Zero
Front Matter
Cover Art
NGR 25 Contributors
Robert Musil's Literary Ethics: The Man without Qualities Reconsidered
Book Review: Stolleis, Michael. Origins of the German Welfare State: Social Policy in Germany to 1945. New York: Springer, 2013.
Raumerfahrung zwischen Dorf, Sanatorium und Schneelandschaft: Grenzüberschreitungen in Adalbert Stifters Bergkristall und Thomas Manns Der Zauberberg
“Die Ewigkeit als Dauererektion”: Synchronic and Diachronic Abjection in Heiner Müller’s Quartett
Narrating the Date: Brecht’s Cäsar und sein Legionär and the Calendar Story
Book Review: Etkind, Alexander, Rory Finnen et al. Remembering Katyn. Cambridge, UK and Malden, MA: Polity Press, 2012.
Eulenspiegel auf dem Pegasus: Wolfgang Koeppen als Stadtschreiber von Bergen-Enkheim
Book Review: Heiduschke, Sebastian. East German Cinema: DEFA and Film History. New York: Palgrave MacMillan, 2013.
About the Artist
About the Authors
Table of Contents
The Knights of the Front: Medieval History’s Influence on Great War Propaganda
The Journey to Death: Elemental Imagery in the Works of George MacDonald
