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“I was a witness”
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“I’m Not Pretty Anymore:” Femininity and Beauty in the Barbie Movie
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The Visibility of Ukrainian Women Refugees in the Romanian Public Sphere. Representations and Modes of Engagement
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When Queer is Normalised: Recognising Representations of Homonormativity in Indian Audiovisual Brand Campaigns
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‘Breaking’ the Silence and ‘Fighting’ Back: Changing Representations of Female Response to Gender-Based Violence in Select Malayalam Films
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Who’s Afraid of the Kitchen? Representations of the Kitchen in Three US Films, The Children’s Hour, Breakfast at Tiffany’s and Blue Jasmine
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The Father-Daughter Relationship in Claudia Piñeiro’s Novel of Formation, Un comunista en calzoncillos
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Front Matter
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Cover Art
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NGR 25 Contributors
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Robert Musil's Literary Ethics: The Man without Qualities Reconsidered
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Book Review: Stolleis, Michael. Origins of the German Welfare State: Social Policy in Germany to 1945. New York: Springer, 2013.
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Raumerfahrung zwischen Dorf, Sanatorium und Schneelandschaft: Grenzüberschreitungen in Adalbert Stifters Bergkristall und Thomas Manns Der Zauberberg
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“Die Ewigkeit als Dauererektion”: Synchronic and Diachronic Abjection in Heiner Müller’s Quartett
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Narrating the Date: Brecht’s Cäsar und sein Legionär and the Calendar Story
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Book Review: Etkind, Alexander, Rory Finnen et al. Remembering Katyn. Cambridge, UK and Malden, MA: Polity Press, 2012.
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Eulenspiegel auf dem Pegasus: Wolfgang Koeppen als Stadtschreiber von Bergen-Enkheim
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Book Review: Heiduschke, Sebastian. East German Cinema: DEFA and Film History. New York: Palgrave MacMillan, 2013.
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About the Artist
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About the Authors
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Table of Contents
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The Knights of the Front: Medieval History’s Influence on Great War Propaganda
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The Journey to Death: Elemental Imagery in the Works of George MacDonald
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Introduction
