-
“I’m Not Pretty Anymore:” Femininity and Beauty in the Barbie Movie
-
Challenging Male Entitlement and Patriarchy: Promising Young Woman, Barbie, and Contemporary Feminist Theory
-
“It’s Like It’s from a Movie or Something”: Narrative Instability, Remediation, and Cultural Prestige in the Indie Video Games Hotline Miami and Katana Zero
-
“But What are You, Mama?”: Gendered Migration, Epistemic Injustice, and Feminist Resistance in Domnica Rădulescu’s Dream in a Suitcase (2022)
-
Screening for Heavy Metals in Tea Leaves from Bangladesh Using X-Ray Fluorescence
-
Female Language in Research Articles Written by Transgender Scientists
-
‘Breaking’ the Silence and ‘Fighting’ Back: Changing Representations of Female Response to Gender-Based Violence in Select Malayalam Films
-
A Woman’s Revolutionary Discourse: Olympe De Gouges
-
“Broken, I Want a Serious Relationship”: The (Self-)Representation of Heterosexual Masculinities on Tinder in India
-
Erratum
-
Editors’ Note: American Narratives and Video Games
-
Video Games as Literature? Realist Discourse in Red Dead Redemption 2
-
Play Me for a Fool: Horror-Inducing Madness from Edgar Allan Poe to The Dark Eye (1995)
-
Animal Poetics and Literary Thinking
-
Videogame Narrativity: Tense-Aspect-Mood, Mechanical Drifting, and the Valences of Play in Kentucky Route Zero’s “The Death of the Hired Man”
-
Replaying Adolescence: Temporality and Recurrence in Life is Strange and The Catcher in the Rye
-
Playing the Hollywood Western on Repeat: Cinematic Realism in Mad Dog McCree
-
Living the Dream, Playing the Nightmare: Remediation as the Critique of the American Dream in American Arcadia (2023)
-
Affective Necropolitics, Procedural Necrorhetorics, and the US–Mexico Border in the Call of Duty Series
-
Playing the American Nightmare: Japanese Horror Games at the Millennial Turn
-
Playing Moby-Dick: Agency, Disempowerment, and Adaptation in Nantucket
-
The Frontier as American National Identity Narrative in the Red Dead Redemption Games
-
Sleater-Kinney’s Electric Feminism
-
Who’s Afraid of the Kitchen? Representations of the Kitchen in Three US Films, The Children’s Hour, Breakfast at Tiffany’s and Blue Jasmine
