-
Intersectional Trap of (in)Visible Identities and Belongings. Between Engagement and Entrapment of Displaced Ukrainian Women Scientists
-
Transitions of a Myth? The Idea of a Language-Defined Kulturnation in Germany
-
Culturally Responsive Care for Jewish Patients and Colleagues in Speech-Language Pathology
-
‘Breaking’ the Silence and ‘Fighting’ Back: Changing Representations of Female Response to Gender-Based Violence in Select Malayalam Films
-
“We Gained Our Independence, But we Lost Our Mothers”: Documenting Post-Communist Female Migration through Home Videos in Otilia Babara’s Love is not an Orange
-
Challenging Male Entitlement and Patriarchy: Promising Young Woman, Barbie, and Contemporary Feminist Theory
-
“I’m Not Pretty Anymore:” Femininity and Beauty in the Barbie Movie
-
“Broken, I Want a Serious Relationship”: The (Self-)Representation of Heterosexual Masculinities on Tinder in India
-
The Perfect Feminist Movie Does Not Exist: Screening the Barbie Buzz
-
A Woman’s Revolutionary Discourse: Olympe De Gouges
-
Front Matter
-
Cover Art
-
NGR 25 Contributors
-
Robert Musil's Literary Ethics: The Man without Qualities Reconsidered
-
Book Review: Stolleis, Michael. Origins of the German Welfare State: Social Policy in Germany to 1945. New York: Springer, 2013.
-
Raumerfahrung zwischen Dorf, Sanatorium und Schneelandschaft: Grenzüberschreitungen in Adalbert Stifters Bergkristall und Thomas Manns Der Zauberberg
-
“Die Ewigkeit als Dauererektion”: Synchronic and Diachronic Abjection in Heiner Müller’s Quartett
-
Narrating the Date: Brecht’s Cäsar und sein Legionär and the Calendar Story
-
Book Review: Etkind, Alexander, Rory Finnen et al. Remembering Katyn. Cambridge, UK and Malden, MA: Polity Press, 2012.
-
Eulenspiegel auf dem Pegasus: Wolfgang Koeppen als Stadtschreiber von Bergen-Enkheim
-
Book Review: Heiduschke, Sebastian. East German Cinema: DEFA and Film History. New York: Palgrave MacMillan, 2013.
-
About the Artist
-
About the Authors
-
Table of Contents
