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The Unseen War: Struggles of Andersonville Survivors
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Historical Accounts of Forgotten Stone-Heaping Practices on Nineteenth-Century Hill Farms
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Commentary on the History of Public Archaeology at Strawbery Banke, Portsmouth, New Hampshire
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Intern to Interpretation: A Take on Public Archaeology at Strawbery Banke
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#SBMArch: Museum Archaeology in the 2010
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Strange Windows from Early Maryland
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A Bone to Pick: An Unusual Tableware from the Victorian Era
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The Private Side of Victorian Mourning Practices in Nineteenth-Century New England: The Cole’s Hill Memorial Cache
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A Stolen Ship: Robert Smalls’ Daring Escape to Freedom
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Letter from the Editors
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Front Matter
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Gettysburg College Journal of the Civil War Era 2023
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History and Implications of the Missouri Test-Oath Case
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Front Matter
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Hemisphere: Visual Cultures of the Americas Volume XV, 2023
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Book Review of Denise Low, Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors (2020)
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Interview with Andrew Hamilton, Ph.D., Associate Curator of Arts of the Americas, Art Institute of Chicago
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Nothing Comes from Nothing: Photographic Re-Interpretations of Mesoamerican Codices
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Artist Spotlight
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Sun Gods and Forest Figures: Duality and Complementarity in Copán Stela D’s Full-FigureInscription
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The Wild Child of the Soil: The Symbol of the Datura Plant in Southwestern Art, from Ancient Native American Cultures to Georgia O’Keeffe
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Editor’s Introduction to Volume XV: The Question of Visual Communication and Writing in the Americas
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Journal of Mormon History Vol. 38, No. 1, Winter 2012
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Journal of Mormon History Vol. 37, No. 4, Fall 2011
