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Trends in institutional public relations - the case of University of Georgia, Athens, Georgia, U.S.A.
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Sparta en Athene: ’n studie in altérité
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Higgins, Maryellen. Hollywood’s Africa after 1994. Athens: Ohio University Press, 2013, 288 pp.
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Elischer, Sebastian. Political Parties in Africa: Ethnicity and Party Formation. Cambridge: Cambridge University Press. 2013, 336 pp.
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The Wild Child of the Soil: The Symbol of the Datura Plant in Southwestern Art, from Ancient Native American Cultures to Georgia O’Keeffe
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Depicting the Beginning of the World’s End: Iconography and Development of the “Rolling Up the Sky” Scene in the Ukrainian Icons of “the Last Judgment” of the 15th–17th Centuries
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Music-Making and Musical Instruments in the Čiurlionis Family Environment
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Holocaust Memory in Dialogue: Jenny Kagan’s Experiential Exhibition in Kaunas “Out of Darkness”
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Growing up Greek : the differing journeys through childhood in ancient Athens and Sparta
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Political Parties in the Czech Countryside: What Role do they Still Play?
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Athens and the tyranny of a democratic state
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‘With those views, you should work for the Communist Party of China’: challenging Western knowledge production on China-Africa relations
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The Role of Beach Bars in Wrocław’s Local Music Scene
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Out from the Shadows: Party Documents in Chinese Courts
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The Musical Expression of “san zu liang er”: New Explorations of Interval and Sonata Form in “鼎”
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Out in the cold : science and environment in the history of South Africa’s involvement in the sub-Antarctic and Antarctic in the twentieth century
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Music through the Lens : the changing position of photographers in the South African music scene
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Brain–Computer Interfaces: The Dawn of a New Era in Disease Treatment
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Reading Ovid in the #MeToo era : a feminist reception of rape scenes in the Metamorphoses
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The Parliament of the Cape of Good Hope, with special reference to party politics, 1872 to 1910
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Effect of technology and musical sound on concentration in individualized learning: a study of covenant university students
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From time-bound to timeless : the rhetoric of lamentations and its appropriation
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Music without audience? contemporary art music in a postmodern society
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News from Georgia Libraries Conference
