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The Making of a Tyrant: Seattle Shakespeare Company and upstart crow collective’s Richard III
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Lithuanian Actors’ Studio in Moscow: A Tool of Soviet Indoctrination
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One Last Victory: The 1980 Moscow Olympics and the USSR’s Final Golden Moment
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The political career of Richard Stuttaford, 1924-1942
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26.07.14 Blurton, Heather. Richard the Lionheart: In Life and in Legend.
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The Shakespeare Theatre Company’s Oresteia
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Margaret Cavendish’s The Unnatural Tragedy and The White Bear Theatre
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‘The Byzantine Bishop’: Makarios III, US Foreign Policy and the Cyprus Problem, 1960–1977
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Shakespeare and the “Live” Theatre Broadcast Experience / Pascale Aebischer, Susanne Greenhalgh, and Laurie E. Osborne
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At the Bottom of the Barrel: Rum’s Influence on Those Who Made It
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An Experimentalist Who Shunned Hypotheses? A Study of Fran?ois Magendie
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Physicians Who Crossed the Pacific: The Scale and Causes of South Korean Physician Migration to ...
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Die Erneuerung deutscher Volksbücher von der Romantik bis Richard Benz
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26.07.18 Mazouer, Charles. Images du Moyen Âge dans le théâtre français moderne: XVIe-XXIe siècle.
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Here / Not Here
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The God who neither is nor is not : a theological evaluation of Richard Kearney’s “God who may be”
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Prevalence of Out-of-Hospital Sudden Cardiac Death in Moscow in 2005–2009
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Victims or villains: Contending constructions of refugees in the contemporary European crises
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Here and there
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Three essays on contemporary South African theatre / by Anneke Joy Kamfer.
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The importance of women as villains and violators: scenes from the ICTY, the ICTR, and Abu Ghraib
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Cape curtains : a study of selected Cape Town theatres, 1843-1916
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Theatre in a new democracy : some major trends in South African theatre from 1994 to 2003
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Theatre as alternative historical narrative : a study of three plays : "Ubu and the Truth Commission", "Copenhagen" and "Ghetto"