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Listening with Edible Plants in Sonic Art
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Co-Creative Spaces
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The integration of creative programming in experimental music and digital art
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How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
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Sustaining Creative Work: Satisfaction of Classical Music Composers with Institutional Support in Slovakia
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A systematic literature review of methods to describe the stereo image of recorded music
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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AN INVESTIGATION OF CINUÇEN TANRIKORUR'S WORK OF ART “NIKRIZ KARÇE” IN TERMS OF MUSICAL ELEMENTS
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Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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The Role of Beach Bars in Wrocław’s Local Music Scene
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Comparing Secco Recitative Accompaniment by Contemporary Cellists and Cellists in the 19th Century: A Study of Social and Cultural Assumptions
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Acousmatic Echoes of the Ruchový Archiv, 1968-1989
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Electroacoustic Composition Process as Com-position
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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Zero-bit self-adaptive spectral noise shaping for speech and audio coding
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Test
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New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
