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Hildegard Westerkamp’s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self through Soundscape Composition
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A systematic literature review of methods to describe the stereo image of recorded music
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Identification and matching of room acoustics with moving head-worn microphone arrays
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Acousmatic Echoes of the Ruchový Archiv, 1968-1989
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
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Listening with Edible Plants in Sonic Art
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Electroacoustic Composition Process as Com-position
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Co-Creative Spaces
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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Test
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New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
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Between Ottoman Legacy and Hybrid Dance Identity
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Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
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The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
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Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia
