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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
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Rethinking Folk Dances of Samsun in Greece with Ethnochoreohistory
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The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
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Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
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A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
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Hildegard Westerkamp’s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self through Soundscape Composition
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Acousmatic Echoes of the Ruchový Archiv, 1968-1989
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New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
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Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
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Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia
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Methodological Issues in Transnational Music Archive Research: The Case of Bulgarian Music Archives
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Human Capital and Cultural Resilience: Sulukule Entertainment Houses as an Alternative Urban Economy
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Music, Ecologies and Degrowth. A Few Paths to Explore
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Music, Nature, and Sound: Musical Ecology
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Animals in Early Modern Histories of Music
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Generating Music, AI and Energy
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Sustaining Creative Work: Satisfaction of Classical Music Composers with Institutional Support in Slovakia
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Depicting Japanese Soundscapes in Grażyna Pstrokońska-Nawratil’s ‘Słowik i kamień’
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Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
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March ‘68 and Its Aftermath: in Polish Popular Music
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Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
