-
Depicting Japanese Soundscapes in Grażyna Pstrokońska-Nawratil’s ‘Słowik i kamień’
-
Acousmatic Echoes of the Ruchový Archiv, 1968-1989
-
Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
-
Hildegard Westerkamp’s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self through Soundscape Composition
-
Patriotism as a theme in selected art songs by M.L. de Villiers and Stephen Eyssen
-
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
-
Between Ottoman Legacy and Hybrid Dance Identity
-
Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
-
Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
-
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
-
Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia
-
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
-
Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
-
DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
-
The Role of Beach Bars in Wrocław’s Local Music Scene
-
A systematic literature review of methods to describe the stereo image of recorded music
-
"The Rameau Compendium" by Graham Sadler
-
Test
-
"Beyond the Score: Music as Performance" by Nicholas Cook
-
"Playing the Cello, 1780-1930" by George Kennaway
-
"Clavichord for Beginners" by Joan Benson
-
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
-
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
-
"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth