Channels
Hildegard Westerkamp’s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self through Soundscape Composition
Depicting Japanese Soundscapes in Grażyna Pstrokońska-Nawratil’s ‘Słowik i kamień’
Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
Electroacoustic Composition Process as Com-position
Didactic Changes in Sound Compositions with Synthesizer Apps
Music, Nature, and Sound: Musical Ecology
Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
Zero-bit self-adaptive spectral noise shaping for speech and audio coding
Acousmatic Echoes of the Ruchový Archiv, 1968-1989
Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
Listening with Edible Plants in Sonic Art
Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
Co-Creative Spaces
Test
New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
Between Ottoman Legacy and Hybrid Dance Identity
Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia