-
Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
-
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
-
Sustaining Creative Work: Satisfaction of Classical Music Composers with Institutional Support in Slovakia
-
March ‘68 and Its Aftermath: in Polish Popular Music
-
Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
-
Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
-
Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
-
Between Ottoman Legacy and Hybrid Dance Identity
-
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
-
Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
-
DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
-
Acousmatic Echoes of the Ruchový Archiv, 1968-1989
-
Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
-
Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
-
Listening with Edible Plants in Sonic Art
-
Electroacoustic Composition Process as Com-position
-
Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
-
Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
-
Didactic Changes in Sound Compositions with Synthesizer Apps
-
Co-Creative Spaces
-
Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
-
Zero-bit self-adaptive spectral noise shaping for speech and audio coding
-
Test
-
New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
