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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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March ‘68 and Its Aftermath: in Polish Popular Music
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Sustaining Creative Work: Satisfaction of Classical Music Composers with Institutional Support in Slovakia
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Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
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Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
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Between Ottoman Legacy and Hybrid Dance Identity
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Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
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Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
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DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
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A systematic literature review of methods to describe the stereo image of recorded music
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"The Rameau Compendium" by Graham Sadler
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Test
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"Beyond the Score: Music as Performance" by Nicholas Cook
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"Playing the Cello, 1780-1930" by George Kennaway
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"Clavichord for Beginners" by Joan Benson
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"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
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"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
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"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
