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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
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DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
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EXAMINATION OF PEPE CARTOON FROM TURKISH MUSIC CULTURE
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Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
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How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
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Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia
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A REVIEW ON THE BOOK “A GUIDE FOR FIELD WORKERS IN FOLKLORE”
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Music, Ecologies and Degrowth. A Few Paths to Explore
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
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A systematic literature review of methods to describe the stereo image of recorded music
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Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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HOW SHOULD THE RHYTHM INVENTED NAMED DEVRISHAHI BY MERAGI BE UNDERSTOOD? A MUSICOLOGICAL SOLUTION SEEKING
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A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
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Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
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Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
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Comparing Secco Recitative Accompaniment by Contemporary Cellists and Cellists in the 19th Century: A Study of Social and Cultural Assumptions
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Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
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Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
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Music on the Periphery of Aesthetics
