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"Beyond the Score: Music as Performance" by Nicholas Cook
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The history of the clarinet in South Africa
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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A REVIEW ON THE BOOK “A GUIDE FOR FIELD WORKERS IN FOLKLORE”
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"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
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"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
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Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
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A systematic literature review of methods to describe the stereo image of recorded music
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Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
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Acousmatic Echoes of the Ruchový Archiv, 1968-1989
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
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Listening with Edible Plants in Sonic Art
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Electroacoustic Composition Process as Com-position
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Co-Creative Spaces
