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"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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The embellishment in Mozart's keyboard music with specific application to seven of his late piano concertos
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An angelic alter ego - a style-critical analysis of Einojuhani Rautavaara's Violin Concerto
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"The Cambridge Companion to Percussion," edited by Russell Hartenberger
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Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
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Acousmatic Echoes of the Ruchový Archiv, 1968-1989
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
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Listening with Edible Plants in Sonic Art
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Electroacoustic Composition Process as Com-position
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Co-Creative Spaces
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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Zero-bit self-adaptive spectral noise shaping for speech and audio coding
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Test
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New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
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Between Ottoman Legacy and Hybrid Dance Identity
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Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
