-
"The Rameau Compendium" by Graham Sadler
-
Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain
-
"Beyond the Score: Music as Performance" by Nicholas Cook
-
A REVIEW ON THE BOOK “A GUIDE FOR FIELD WORKERS IN FOLKLORE”
-
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
-
A systematic literature review of methods to describe the stereo image of recorded music
-
“Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810
-
DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske Mijnssen. Recorded at L’Opéra National de Lorraine (Nancy), February 7 and 9, 2016. Arles: Harmonia Mundi, 2017. HMD 9859058.59 DVD and Blu-ray Disc.
-
"The Cambridge Companion to Percussion," edited by Russell Hartenberger
-
Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
-
"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
-
"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
-
Acousmatic Echoes of the Ruchový Archiv, 1968-1989
-
Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
-
Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
-
Listening with Edible Plants in Sonic Art
-
Electroacoustic Composition Process as Com-position
-
Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
-
Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
-
Didactic Changes in Sound Compositions with Synthesizer Apps
-
Co-Creative Spaces
-
Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
-
Zero-bit self-adaptive spectral noise shaping for speech and audio coding
-
Test
