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Not Set in Stone: Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto
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"The Cambridge Companion to Percussion," edited by Russell Hartenberger
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Animals in Early Modern Histories of Music
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"Beyond the Score: Music as Performance" by Nicholas Cook
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
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"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
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“Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
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Acousmatic Echoes of the Ruchový Archiv, 1968-1989
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
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Listening with Edible Plants in Sonic Art
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Electroacoustic Composition Process as Com-position
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Co-Creative Spaces
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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Zero-bit self-adaptive spectral noise shaping for speech and audio coding
