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"The Cambridge Companion to Percussion," edited by Russell Hartenberger
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The Life and Works of Gedikpaşalı Yahyâ Nazim Efendi, One of the Important Names of 17th Century Turkish Music
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Comparing Secco Recitative Accompaniment by Contemporary Cellists and Cellists in the 19th Century: A Study of Social and Cultural Assumptions
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The mezzo-soprano as representation of 'the other' in nineteenth century opera
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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Acousmatic Echoes of the Ruchový Archiv, 1968-1989
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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Biodiversity and Creativity in Sonic Art: Underwater and Subterranean Recordings in Environmental Practice
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Listening with Edible Plants in Sonic Art
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Electroacoustic Composition Process as Com-position
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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera
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Didactic Changes in Sound Compositions with Synthesizer Apps
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Co-Creative Spaces
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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
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Zero-bit self-adaptive spectral noise shaping for speech and audio coding
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Test
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New Materialist Approach to East–West Distinction: South-Eastern Europe Musics
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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
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Between Ottoman Legacy and Hybrid Dance Identity
