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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
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Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
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Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia
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Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)
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Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
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The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
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Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
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"Beyond the Score: Music as Performance" by Nicholas Cook
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"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
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"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
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“Transports of delight”? Reviews of Clarinet Performance in Paris and London, c. 1770 – c. 1810
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"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
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Test
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"Playing the Cello, 1780-1930" by George Kennaway
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"Clavichord for Beginners" by Joan Benson
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"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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A systematic literature review of methods to describe the stereo image of recorded music
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"The Rameau Compendium" by Graham Sadler
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"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
