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“[B]oth in body and mind”: Gothic, Affect, and Power in Eliza Parsons’s The Mysterious Warning (1796)
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A Review of William Hayley: A Biographer’s Influence on Life Writing and Romantic Networks in the Long Eighteenth Century, edited by Lisa Gee and Mark Crosby
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The Algorithmic Mirror: Youth Perception of Gender Bias in AI-Generated and Digital Media Portrayal of Professions
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Gender Portrayal In The Algerian English Textbook ‘my Book Of English’ For Third Year Primary School
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Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
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Confronting Gendered Ageism: The Substance
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Decoding the Interlocking Factors of Caste-Gender Dynamism, Intersectionality and Suffering in the Web Series Dahaad
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The Belhar Confession and Gender Inclusivity
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Islamic artists : intertextuality text and image in the works of selected contemporaries and their artistic practice of duality
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Art, gender ideology and Afrikaner nationalism : a history of the Voortrekker Monument tapestries
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Inverting sacrifice : an exploration of Wim Botha’s Premonition of war : scapegoat in relation to gender and nationalism
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KUPI’s Gender Campaigns, Digital Activism, and a Counterpublic in the Making
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Learning from the Legacies of Phillis Wheatley Peters: A Collaborative Pedagogical Public Humanities Project
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Teaching Phillis Wheatley Peters’s “On Being Brought from Africa to America” for the First Time in an Online Undergraduate Women’s Literature Course
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Teaching Phillis Wheatley (Peters) as a Working Artist
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Teaching Phillis Wheatley Peters’s Morals on Words and Actions in American Literature to 1860
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On Being Brought from Gambia or Ghana to Colonial Boston: Teaching Phillis Wheatley and Place
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Introduction: Concise Collection on Teaching the Works of Phillis Wheatley Peters, Part II
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Framing Affect: Close up to Feeling with Women at the Eighteenth-century Theatre on the Twenty-first Century Screen
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Association, Affect, and Material Reading Practices of Anna Laetitia Barbauld
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Curious Objects: Form and Feeling in Mary Leapor's Thing Poems
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Managerial Forms: Narrative, Information, and Household Government in the Diaries of Sarah Cowper
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Epic Anger and Shame in Lucy Hutchinson’s Order and Disorder
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Queer Excess and Hybrid History in Elizabeth Cary’s Edward II
