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The influence of alchemy and Rosicrucianism in William Shakespeare's Pericles, Prince of Tyre and The tempest, and Ben Jonson's The alchemist
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Two Unknown Essays By Craig On The Production Of Shakespeare's Plays
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HOW SHOULD THE RHYTHM INVENTED NAMED DEVRISHAHI BY MERAGI BE UNDERSTOOD? A MUSICOLOGICAL SOLUTION SEEKING
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Re-imagined spaces: An investigation of space, place and animal encounters in the visual arts
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Re-membering home: situating an artmaking practice
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“Shakespeare nev’r said so!”
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Universal Celestial Symbols in the Love Poems of Niyi Osundare and William Shakespeare
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Intramediary presence : body, interactivity and networked distribution in immersive virtual reality art
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Dance and the Mediated Immersive Flux in Carlos Saura’s Musical Hybrids with Live Feed
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(Re)Discovering the Body in Mentalism
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Animating in British Communities During the Lockdown
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Towards a Materialist Theory of Animated Documentary
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Animated storytelling as collaborative practice : an exploratory study in the studio, the classroom and the community
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Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
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Adorning Bodies: Meaning, Evolution, and Beauty in Humans and Animals
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Introduction Part 2: The Animal in Ireland - Real and Imagined
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Between the Local and the Global: Animality in the Poetry of Jane Clarke
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Literature Teaching Perspectives on ‘The Animal in Ireland – Real and Imagined’
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(Post-)Colonial Shakespeares: Macbeth in South Africa
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Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
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Animals in Early Modern Histories of Music
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Triple Immersion Baptism as a Unifying Sacrament in Early South African Pentecostalism
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“The Emotions that Get Stuck in Your Throat”: Expressivity in Speech, Script, and Sound in Japanese Animation
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Practices of Listening: (Re)percussions of Sound, Silences and Censorship from (Post-)Apartheid South Africa
