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Front Pages
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Contents Page
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Front pages
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Contents page
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Between the Local and the Global: Animality in the Poetry of Jane Clarke
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Review of Oceanic Connections: The Sea in Irish and Caribbean Poetry, by Ellen Howley
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Negotiating identity through Zhuangzian philosophy: Dementia narratives in Chinese cinema
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The Voice as a Coordinated Bodily System: Embodied Learning, Anatomy, and Vocal Pedagogy
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Cognition and Feeling in Aesthetic Judgment
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Hand of Artist, Voice of Griot: A Poetics of African Animation in the Films of Jean-Michel Kibushi
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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The indulgence and exhaustion of the meaningless voice
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The Communal Lyric: Poetry in Devotional and Oppressed Communities
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Following Digital Footprints: Researching South African Digital Poetry
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Constructing the value of art : a sociological perspective on value creation at South African art auctions
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Language limits : the dissolution of the lyric subject in experimental print and performance poetry
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I love you to death : the voice of the woman artist : sex, violence, sentimentality
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The poetry of silence : perpetuating the profound burden : a female family narrative
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Academic Magic: Performance and the Communication of Fundamental Ideas.
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The values of digital waste and building routines: An interview with Katharina von Hagenow and Tereza Havlíková, curators of COPY PASTE WASTE, Passing Data – Upcycling the Digital
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Integrating voice movement therapy and maskwork for performer vocal development : voicing the mask to de-mask the voice
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“This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre
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The Dynamics of Online Evaluation: Voice from Student Teachers in an Open Distance e-Learning institution
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The meandering narrative : poetry and illustration engage in a moment of indiscipline : demonstrated in an analysis of Sara Fanelli’s illuminated poem - And all men kill the thing they love
