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Art and conversion : an investigation of ritual, memory and healing in the process of making art
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Creepy, cute and radically soft: unpacking the importance of contemporary feminist erotic art
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The choreography of display : experiential exhibitions in the context of museum practice and theory
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Decolonising Narratives Through Sonic Artistry and Weaving Dialogues: A Trans-Indigenous Exploration
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Art as Resistance, Art as Hope: The Crane, the Nopal, and the Knowledge They Carry
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Constructing the value of art : a sociological perspective on value creation at South African art auctions
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Deconstruction and the production of art
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The Art of Expressing Selves
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Fiesta de Día de Muertos: Integrating Visual Arts, Literary Arts, Performing Arts, and Cultural Heritage in an Elementary School Celebration
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Mend: a personal exploration of healing
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A study of some aspects of the life and works of Abraham De Smidt (1829-1908) surveyor-general of the Cape Colony, with particular reference to the Cape Fine Arts Exhibitions between 1851 and 1890
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Improvisation and Healing: Wayfinding as a praxis of knowledge
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"Playing the Cello, 1780-1930" by George Kennaway
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Time to think: fostering critical and creative thinking through a practice-based investigation of the effects of time and space in the field of art education
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Fiesta de Día de Muertos: Integración de artes visuales, artes literarias, artes escénicas y patrimonio cultural en una celebración escolar de nivel primaria
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The UnSmart Home: A STEAM Approach to Coding Though Drama and Creative Play
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Cover Art
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The space in-between : psychoanalysis and the imaginary realm of art
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A Note On Sanity In Stage Productions Of Shakespearean Plays
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Two Unknown Essays By Craig On The Production Of Shakespeare's Plays
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Andalusian Moors: From dialogue of religions to the religious controversy
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The female body as spectacle in nineteenth- and twentieth-century Western art
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Elitism in contemporary art : investigating high school learners' responses to the Cape Town Art Fair
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Theme Issue ‘Art, Aesthetics and Predictive Processing: Theoretical and Empirical Perspectives’