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“This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre
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Here / Not Here
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The House as a Character: The Role of Set Design in the Film I'm Still Here
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Fragments of modernity, shadows of the gothic : questions of representation and perception in William Kentridge's "I am not me, the horse is not mine" (2008)
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Staying Alive: Negotiating Life with the Contamination of Kitchener Drain.
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I am also here: Invisible Insurrections in temporary autonomous zones – a haunting
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(Re)Discovering the Body in Mentalism
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Dance and the Mediated Immersive Flux in Carlos Saura’s Musical Hybrids with Live Feed
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Paragons of Loyalty on the Japanese Stage
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Adorning Bodies: Meaning, Evolution, and Beauty in Humans and Animals
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"Real" lives and "ordinary" objects: Partisan strategies of art making with garment makers of the Western Cape
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On mediating environments: Sensor-milieus and operational aesthetics
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‘I can eat film’: A conversation with Monica Freeman
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Introduction Part 2: The Animal in Ireland - Real and Imagined
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Literature Teaching Perspectives on ‘The Animal in Ireland – Real and Imagined’
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The ageing female body between feminist video art and horror cinema
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The mediation and facilitation of a ‘living' landscape through the musical arts within the Clanwilliam Arts Project
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Can’t Blaine a State for Trying: Writing a Constitutional Blaine Amendment After Carson v. Makin
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A Note On Sanity In Stage Productions Of Shakespearean Plays
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The female body as spectacle in nineteenth- and twentieth-century Western art
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“[B]oth in body and mind”: Gothic, Affect, and Power in Eliza Parsons’s The Mysterious Warning (1796)
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"I'm not going to let the patriarch stop me!": Examining the Obsession with Muslim Women's Bodies, Voices and Veils in Cinema, Television & Popular Culture
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Everything I am not: Discovering who I am
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From Trauma to The Representation of The Intellectual: Ahdaf Soueif’s in The Eye of The Sun and Rabih Allameddine’s I, The Divine
