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Neither soul nor body : a hauntological exploration of the folkloresque in horror video games
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(R)AGE: Ageing and Raging in the Cinemas of the Global South
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The female body as spectacle in nineteenth- and twentieth-century Western art
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Fear, Formation, and the Dark Transcendent: Two Theological Approaches to Horror
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Where Commerce Meets Art: Hybrid Complexity and Narrative Ambiguity in Post-1990s Cinema
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Representing older adults and intergenerational conflict in contemporary Italian cinema, between generational and family master narrative
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Negotiating identity through Zhuangzian philosophy: Dementia narratives in Chinese cinema
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Creepy, cute and radically soft: unpacking the importance of contemporary feminist erotic art
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Bollypolitics: Popular Hindi Cinema and Hindutva
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Video, memory and identity : my body, my history
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Numinous Matter: Time, Image, and the Sacred in Tarkovsky’s Cinema
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Representation of Women in Iranian Cinema: Jafar Panâhi Films
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The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema
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An Example of Acting Forms In Modern Greek Cinema, Yannis Economides
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The Rhetorical Goddess: A Feminist Perspective on Women in Magic
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Ethical Experience and Narrative Ambiguity in Contemporary Turkish Cinema: Hesitation Line
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"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
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The New Threshold of Creative Labor: Qualitative Insights from Turkish Cinema Professionals
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"I'm not going to let the patriarch stop me!": Examining the Obsession with Muslim Women's Bodies, Voices and Veils in Cinema, Television & Popular Culture
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The space in-between : psychoanalysis and the imaginary realm of art
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Participatory Video in the Museum
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Le cinéma d’animation comme matrice narrative :
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Contemplative Absence: Sacred Experience in Abbas Kiarostami’s The Wind Will Carry Us and the Aesthetics of Slow Cinema
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Locating the Cultural Geography of Kolkata's Cinema Para: From Single-Screen Film Theatres to Cinemallisation
