Channels The values of digital waste and building routines: An interview with Katharina von Hagenow and Tereza Havlíková, curators of COPY PASTE WASTE, Passing Data – Upcycling the Digital
On Mochizuki: Interview With Mikata Shizuka and Udaka Tatsushige
On Ataka: Interview With Udaka Michishige and Sugi Ichikazu
Ugliness as refusal: Miao Ying, Hardcore Digital Detox
Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
Homunculi of the Digital City
‘Old people pranks’ on TikTok: Remediating digitality with the fear of old age
Following Digital Footprints: Researching South African Digital Poetry
Interview with Prof Malan Nel
Artists' books in the age of digital reproduction : an enquiry into the problematic nature and (in)accessability of book production as contemporary art
Exploring African Digital Humanities Using the Journal of the Digital Humanities Association of Southern Africa
Constructing a Culture Cycle : an Upcycling Waste Centre in PTA CBD
A practice-led exploration of the aesthetics of household waste in selected South African visual artworks
The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
The integration of creative programming in experimental music and digital art
Digitally mediated teaching and learning and linguistic inclusivity at Walter Sisulu University: Towards a culturally responsive digital learning environment
From Waste to Resource: Upcycling PET into High-Performance MOFs for Advanced Applications
Education and Practice of the Creative Arts in the Age of Digital Technology
KUPI’s Gender Campaigns, Digital Activism, and a Counterpublic in the Making
Learning with AI: Transformations of Learner Identity in Digital Educational Environments
Hiding in plain sight : subjectivity, mimetic representation & the digital realm
Fashionable addiction : the impact of digital identity through the cult of the body (an African perspective, with particular reference to the Democratic Republic of Congo)
Epistemics of African Music Performance: Navigating Knowledge, Tradition, and the Digital Frontier
Divine Algorithms? Artificial Intelligence and the Reconfiguration of Organized Religion in the Digital Age
Katharina Lescailje’s Ariadne and Public Femininity
