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Grassroots festivals and film activism: Palestine Film Festivals in the UK
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Film festivals and wars: 2025 – The year of double standards
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2026 Sundance Film Festival: Introduction
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‘Quality Japanese Cinema’ at Nippon Connection and Kinotayo Japanese Film Festivals
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The ear that you are able to hear me with : theorising art practice through auto/ethnography
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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
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Obedu Festival
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The book and the rhizome : the implications of and alternatives to linear logic, with special reference to artist books
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Dissertation Abstract: “The Phenomenology of Time-Consciousness in Art: Merleau-Ponty, Temporality, and the Rupture of Freedom” (Jordan Kokot)
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Cinema under siege, cinema for life: International solidarity and festivalisation at the Gaza International Festival for Women’s Cinema
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‘I can eat film’: A conversation with Monica Freeman
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Heritage, Memory, and the Manifestation of Tradition: The Olufon Festival in the Historical Narrative of Yorubaland
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Rejecting the Ghost-Viewer: Witnessing Film Archives of Palestine Beyond Passivity
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Women in focus: Female film professionals in the Czech cinema industry 1993-2023
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Hand of Artist, Voice of Griot: A Poetics of African Animation in the Films of Jean-Michel Kibushi
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Filming Modernity and Islam in Colonial Egypt
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Theology and the Films of Christopher Nolan: Cinematic Transcendence
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A structuralist approach to film and art
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Representation of Women in Iranian Cinema: Jafar Panâhi Films
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Effective planning and organisation of a student theatre festival
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This is where I leave you : unsettling realities of a miniature
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The Emblematic Divide: Contemplating Reality, the Imaginary and Perception in Photographic Practices
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Rural Landscapes and Affective Encounters in Radu Muntean’s Film, Întregalde
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The Stakeholder Spectrum. The History and the Current State of Participatory Film in Hungary
