Channels - Opening Materials :: FRELIP Discovery

Similar Items: Opening Materials

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Nine Ways Of Opening Macbeth
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Association, Affect, and Material Reading Practices of Anna Laetitia Barbauld
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Adventure Time’s World-Building: Analyzing Its Opening Title Sequence and the Mobile Map
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Herd / Lab || Flock / Cube: Livestock Production, Relational Aesthetics and New Materialism in Contemporary Irish Visual Arts Practice & Memoir
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Becoming: self-transformation and growth through experimenting with materiality and colour
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Reprocessing interference : an artistic exploration of the visual material generated by interference
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Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic
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The development of a personal mythology in painting related to material and metaphysical aspects of change
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Mafoko: Structuring and Building Open Multilingual Terminologies for South African NLP
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An investigation into a relationship between personal sculptural statement and objects of popular material culture
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Annotations of loss and abundance : an examination of the !kun children's material in the Bleek and Lloyd Collection (1879-1881)
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The Dynamics of Online Evaluation: Voice from Student Teachers in an Open Distance e-Learning institution
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Contemporary jewellery practices and the dialogic interpretation of African material culture
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Political Will in Implementing Administrative Reforms in Selected Councils in Tanzania: An Analysis of the Shortcomings of the Open Performance Review and Appraisal System
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Learning from the Legacies of Phillis Wheatley Peters: A Collaborative Pedagogical Public Humanities Project
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Teaching Phillis Wheatley Peters’s “On Being Brought from Africa to America” for the First Time in an Online Undergraduate Women’s Literature Course
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Teaching Phillis Wheatley (Peters) as a Working Artist
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Teaching Phillis Wheatley Peters’s Morals on Words and Actions in American Literature to 1860
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On Being Brought from Gambia or Ghana to Colonial Boston: Teaching Phillis Wheatley and Place
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Introduction: Concise Collection on Teaching the Works of Phillis Wheatley Peters, Part II
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Framing Affect: Close up to Feeling with Women at the Eighteenth-century Theatre on the Twenty-first Century Screen
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“[B]oth in body and mind”: Gothic, Affect, and Power in Eliza Parsons’s The Mysterious Warning (1796)
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The Gendered Duality of Coldness in the Portrayals of Eliza Hayley
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Curious Objects: Form and Feeling in Mary Leapor's Thing Poems