-
Hogan’s Alley in the Enchanted Forest: R. F. Outcault’s The Yellow Kid and Walt Disney’s Dopey
-
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
-
Film festivals and wars: 2025 – The year of double standards
-
Re-imagined spaces: An investigation of space, place and animal encounters in the visual arts
-
Rural Landscapes and Affective Encounters in Radu Muntean’s Film, Întregalde
-
Double-Edged Sword: Unearthing Toxicity in Bollywood’s Empowered Female Characters
-
Applying Aesthetics to Everyday Life: Methodologies, History and New Directions
-
Enchanted April
-
Founding the STEAM Journal: Creating Space for Arts, Science, and Life to Meet
-
Double agents : queer citizenship(s) in contemporary South African visual culture
-
Cinema under siege, cinema for life: International solidarity and festivalisation at the Gaza International Festival for Women’s Cinema
-
A Review of William Hayley: A Biographer’s Influence on Life Writing and Romantic Networks in the Long Eighteenth Century, edited by Lisa Gee and Mark Crosby
-
Negotiating double lives among Pentecostal youth: An Osmerian contribution to practical theology
-
The Life and Works of Gedikpaşalı Yahyâ Nazim Efendi, One of the Important Names of 17th Century Turkish Music
-
Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
-
Baghdadi Street Life: Examining the Challenges of Representing and Recreating Baghdad in Interactive Documentary – A Practice-Based Case Study
-
Playing for keeps : an examination of arepp : Theatre for Life's applied theatre pedagogy with regards to adolescent sexuality
-
Prevention and care during the COVID-19 pandemic: Masculinities as a double-edged sword1 for men and women in church leadership in some Malawian urban churches
-
Sea creatures of the Southern deep : a novel
-
Through the looking glass: The biopolitics of digital becoming
-
Archiveologies of the nation and the home: Reframing memory in ‘Pirotecnia’ and ‘Como el cielo después de llover’
-
Getting ‘up close…at a safe distance’: Transparency and opacity in the weaves of VR
-
Empire of rain: Rancière, Béla Tarr, and the politics of the sensible
-
Teddys, bears, and the claws of politics at Berlinale 2026