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Introduction Part 2: The Animal in Ireland - Real and Imagined
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Literature Teaching Perspectives on ‘The Animal in Ireland – Real and Imagined’
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Review of An Accidental Villain: Sir Hugh Tudor, Churchill's Enforcer in Revolutionary Ireland, by Linden MacIntyre
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Review of The Irish against the War. Postcolonial Identity & Political Activism in Contemporary Ireland, by Marie-Violaine Louvet
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Queer Excess and Hybrid History in Elizabeth Cary’s Edward II
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Applying Aesthetics to Everyday Life: Methodologies, History and New Directions
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Mochizuki: History and Context
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Animals in Early Modern Histories of Music
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Waging Peace: A Curatorial Community Collaboration
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Home: Transforming a Public Arts Grant into a Community Project
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Animating in British Communities During the Lockdown
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"The Scriabin Companion: History, Performance, and Lore," by Lincoln Ballard and Matthew Bengtson
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A Review of Books and Borrowing 1750–1830: An Analysis of Scottish Borrowers' Registers
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The critical history of the New Group
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A history of failure
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Review of Oceanic Connections: The Sea in Irish and Caribbean Poetry, by Ellen Howley
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A Review of Deborah Weiss's Women and Madness in the Early Romantic Novel: Injured Minds, Ruined Lives
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Show and Tell: Integrating the Arts into Transdisciplinary Public Health and Community Organizing Education
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Review of Race in Irish Literature and Culture, by Malcolm Sen and Julie McCormick Weng
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A Review of William Hayley: A Biographer’s Influence on Life Writing and Romantic Networks in the Long Eighteenth Century, edited by Lisa Gee and Mark Crosby
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Herd / Lab || Flock / Cube: Livestock Production, Relational Aesthetics and New Materialism in Contemporary Irish Visual Arts Practice & Memoir
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A REVIEW ON THE BOOK “A GUIDE FOR FIELD WORKERS IN FOLKLORE”
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The Stakeholder Spectrum. The History and the Current State of Participatory Film in Hungary
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Review of Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-1830, edited by Cristina S. Martinez and Cynthia E. Roman
