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Herd / Lab || Flock / Cube: Livestock Production, Relational Aesthetics and New Materialism in Contemporary Irish Visual Arts Practice & Memoir
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Curious Objects: Form and Feeling in Mary Leapor's Thing Poems
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Introduction Part 2: The Animal in Ireland - Real and Imagined
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Literature Teaching Perspectives on ‘The Animal in Ireland – Real and Imagined’
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Review of Oceanic Connections: The Sea in Irish and Caribbean Poetry, by Ellen Howley
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Review of Race in Irish Literature and Culture, by Malcolm Sen and Julie McCormick Weng
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Review of Community Relations and the Troubles in Northern Ireland: A Policy History, by Joana Etchart
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Review of An Accidental Villain: Sir Hugh Tudor, Churchill's Enforcer in Revolutionary Ireland, by Linden MacIntyre
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Disappearing to appear: Towards a politics of opacity in contemporary European audiovisual culture
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Estrangement and Unhomeliness Of A Mulatto in William Faulkner’slight in August: A Postcolonial Reading
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Projecting Ireland : the historical consciousness of Irish film in the 1990's
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Images as tools of social control: an analysis of the production of identities in contemporary mass-culture
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Patriarchy and Intersecting Black Womanhood in Postcolonial Zimbabwe
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Shaping Management Scholarship in Ireland - Editorial Perspectives on the Irish Journal of Management
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Film festivals and wars: 2025 – The year of double standards
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Politics and identity in design: An analysis of two contemporary Cairene mosques
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Tradition and Identity: a Study on Changes in Ritual Tradition to Honor the Deceased Spirits and It’s Influence on the Changes in Local Cultural Identity
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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians
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Mita y Mita: Bilingualism Beyond Identity Borders
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Teddys, bears, and the claws of politics at Berlinale 2026
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Creepy, cute and radically soft: unpacking the importance of contemporary feminist erotic art
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Representing older adults and intergenerational conflict in contemporary Italian cinema, between generational and family master narrative
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The gloaming : narrative in contemporary painting
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Empire of rain: Rancière, Béla Tarr, and the politics of the sensible