Channels Amor, Art, and Advocacy: Un Conversación with Chicanx Mother, Grammy Award Artivist, MacArthur Fellow, and Scripps professor Martha Gonzalez
Towards the Development of an IsiXhosa Adaptation of the MacArthur-Bates Communicative Development Inventory for Toddlers
The efficacy of the MacArthur competence assessment tool for treatment decisions (MacCAT-T) to assess South African patients' abilities to give consent to treatment
Early Lexical and Grammatical Development of Xitsonga Spoken in Giyani, Limpopo Using the Adapted Xitsonga MacArthur-Bates Communicative Development Inventory: Toddlers Form A Preliminary Study
Review of An Accidental Villain: Sir Hugh Tudor, Churchill's Enforcer in Revolutionary Ireland, by Linden MacIntyre
Amor fati, amor mundi : Nietzsche and Arendt on overcoming modernity
OMNIA VINCIT AMOR: parody and tone in Ovid's Amores 3.11a&b
Narrating Queer Identity in Xochitl Gonzalez’s "Olga Dies Dreaming"
Evolving Curricular Needs of Rheumatology Fellowship Programs, Fellows‐in‐Training, and the American College of Rheumatology's Virtual Rheumatology Program for Fellows‐in‐Training
Art and conversion : an investigation of ritual, memory and healing in the process of making art
Constructing the value of art : a sociological perspective on value creation at South African art auctions
Re-membering home: situating an artmaking practice
Through the looking glass: The biopolitics of digital becoming
Archiveologies of the nation and the home: Reframing memory in ‘Pirotecnia’ and ‘Como el cielo después de llover’
Getting ‘up close…at a safe distance’: Transparency and opacity in the weaves of VR
Empire of rain: Rancière, Béla Tarr, and the politics of the sensible
Film festivals and wars: 2025 – The year of double standards
Teddys, bears, and the claws of politics at Berlinale 2026
Disappearing to appear: Towards a politics of opacity in contemporary European audiovisual culture
On mediating environments: Sensor-milieus and operational aesthetics
A Review of Books and Borrowing 1750–1830: An Analysis of Scottish Borrowers' Registers
Still Scribbling: Reflections on The Grub Street Project at Twenty Years
A Review of William Hayley: A Biographer’s Influence on Life Writing and Romantic Networks in the Long Eighteenth Century, edited by Lisa Gee and Mark Crosby
A Review of Deborah Weiss's Women and Madness in the Early Romantic Novel: Injured Minds, Ruined Lives
Review of Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-1830, edited by Cristina S. Martinez and Cynthia E. Roman
