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Les procédés du comique et leurs ressorts dans L’ILE DES ESCLAVES de Marivaux et LE MARIAGE DE FIGARO de Beaumarchais
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Heritage, Memory, and the Manifestation of Tradition: The Olufon Festival in the Historical Narrative of Yorubaland
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Expanding knowledge about historical landscapes, identities, and sociopolitical developments in southern Africa
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Introducing the Historical African Languages Database: A Translingual Resource of Crosslinked Dictionaries
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Ifá, Polygyny and Gender Politics: Interpreting Ambivalence in Yorùbá Marriage Culture
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The Arian Christian movement from religious persecution to spread - a historical anthropological study.
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Mount Anderson: South Africa’s forgotten gold rush in the first decades of the 20th century situated in regional historical and geomorphological context
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A Survey of Presbyterian Mission History in Africa: Historic Beginnings (c.1790s to c.1930s), Volume 1, edited by J.C. Whytock and A Survey of Presbyterian Mission History in Africa: Modern Beginnings (c.1940s to c.2020s), Volume 2, edited by J.C. Whytock
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‘Let the Children Come to Me’: A biblical-contextual analysis of Luke 18:15–17 and its relevance to the philosophy of Anakhonhi do Hamoraon di Au in Batak culture
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Digitally mediated teaching and learning and linguistic inclusivity at Walter Sisulu University: Towards a culturally responsive digital learning environment
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The Politics of Gender Reform in West Africa: Family, Religion, and the State by Ludovic Lado
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Losing the Lost Coin
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[In] Searching Our Mothers’ Archives
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Theology and Women’s Agency in the Context of Intimate Partner Violence in Ghana
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Religious Mapping, Epistemic Risk and Archival Adventure in Athambile Masola's Ilifa
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Deprivation of Land Tenure to Daughters of Mother Earth
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Primary school choir directors’ perceptions of motivation: Issues and way forward
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Preserving the nyunganyunga mbira tunes through teaching and learning of performance using Sibelius 7
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The Past, Present and Future of chimazambi instrument of the Ndau people of Zimbabwe
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Compositional militarisation of Nigerian art music for the orchestra in Ovaborhene Idamoyibo’s “Colonel Eru March”
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Re-thinking inclusivity in music learning: The implications of multiple Ghanaian languages in Western-leaning music theory
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Beyond the Studio: Tertiary Music Production Graduates in Kenya Pursuing Non-Production Roles
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Editorial
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Tonality and Atonality of Speech Surrogacy as Resource for African Pianism
