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Grassroots festivals and film activism: Palestine Film Festivals in the UK
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2026 Sundance Film Festival: Introduction
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Rhizomes and ruptures: Theorising extended reality, disability, and film festivals
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‘Quality Japanese Cinema’ at Nippon Connection and Kinotayo Japanese Film Festivals
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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)
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Obedu Festival
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Cinema under siege, cinema for life: International solidarity and festivalisation at the Gaza International Festival for Women’s Cinema
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Editorial NECSUS, Autumn 2025
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Enchanted Encounters with Eamon Grennan’s ‘Double-Life Creatures’ in Plainchant
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‘I can eat film’: A conversation with Monica Freeman
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Heritage, Memory, and the Manifestation of Tradition: The Olufon Festival in the Historical Narrative of Yorubaland
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Rejecting the Ghost-Viewer: Witnessing Film Archives of Palestine Beyond Passivity
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Women in focus: Female film professionals in the Czech cinema industry 1993-2023
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Hand of Artist, Voice of Griot: A Poetics of African Animation in the Films of Jean-Michel Kibushi
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Review of The Irish against the War. Postcolonial Identity & Political Activism in Contemporary Ireland, by Marie-Violaine Louvet
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Filming Modernity and Islam in Colonial Egypt
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Theology and the Films of Christopher Nolan: Cinematic Transcendence
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A structuralist approach to film and art
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Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
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Double-Edged Sword: Unearthing Toxicity in Bollywood’s Empowered Female Characters
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Still Scribbling: Reflections on The Grub Street Project at Twenty Years
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Representation of Women in Iranian Cinema: Jafar Panâhi Films
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Effective planning and organisation of a student theatre festival
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The Cinematic Narrative of Space and Ambiguity Interaction: The Case of the Film Arrival
