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Review: The Poetics of Science: Marx’s Literary Style by Ludovico Silva
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Introduction: World Literature as World Crisis
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Labour and (Class) Struggle in James Barke’s Compositionist Imaginaries: Dreaming with Rob Roy, Marx & Burns
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The Proletarian Moment in World Literature
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World Literature According to Its Poster Children
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Zheng Zhenduo and the Problem of Priority in World Literature
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Against pleonexia: Auerbach, World Literature, and the End of History
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A Crisis for Utopia: Jameson, the Collective, and the Future of World Literature
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Milan Kundera as a Representative and a Theorist of World Literature
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A Hermeneutic Approach to Reconsidering the CEFR’s Overall Language Proficiency within the Context of Generative Artificial Intelligence
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A World Without Literature? Tagore’s Words for His Times and Ours
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World Literature: From Perpetual War to Perpetual Peace (and Back Again)
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Beyond the Great Wall: Zheng Zhenduo’s “Unification” of World Literature at the Juncture of China’s May Fourth and Post-World War I Era
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An Arc Stretched between East and West: World (or Universal?) Literature in Maxim Gorky’s Publishing Utopias
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A Literary Path From Turkish Literature to Persian Literature: Like Kerem
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The First Traces of Patronage in Turkish literature: Kutadgu Bilig
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Between Revolutions: The Leftist Reception of American Literature in Iran (1905-1979)
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Values Education in English Language Teaching: A Narrative Literature Review
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Systematic Literature Review of Algorithm Literacy Studies: Mapping The Overlooked Gaps
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Linguistic Islands: Archipelagic Perspectives in Hugh MacDiarmid’s ‘Vision of World Language’
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“Intergenerational Change in Conservative Family Values in Türkiye: A Theoretical Analysis Based on the Literature”
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Small Nations, Big Debates: Empowering the Slovenes as a Subject of World History in the Critical 1930s
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“A Sense of an Absent Future.” Pervading Post-apartheid South African Literature: Re-conceptualisations of Temporality in André Brink’s Transitional Writings
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Regarding World(s): A Review of Elisha Cohn’s Milieu: A Creaturely Theory of the Contemporary Novel (2025) and Daniel Wright’s The Grounds of the Novel (2024)