-
A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels
-
Towards a black poetics: alternative modes of visibility in representations of post-apartheid black trauma
-
The Secret Lives of Polygamous Wives: African Feminist Consciousness and Writing in Selected Nigerian Polygamous Narratives
-
Seeing ghosts: The absented presence of black lesbian women in mid-2000s Kwa-Thema and the legacies of trauma
-
Legitimising language : 9/11 and liberal democracy
-
Idylls, Imitation, Ideology and Imperialism: A Fanonian Critique of National Liberation
-
Adapting Henry James to the screen: Washington Square & The portrait of a lady
-
Truth, history and representation in Margaret Atwoods' Alias Grace
-
The androgynous ideal in twentieth-century feminist literature : Woolf, Carter, Winterson and Harpman
-
(Un)Exceptional: Representations of the Marginalisation of Black Female Queer Desire in Chinelo Okparanta's “Under the Udala Trees” and Leona Beasley's “Something Better Than Home”
-
Literature and the littoral in South Africa: reading the tides of history
-
The Nigerian novel and the postcolonial city
-
It’s Not All Black and White
-
The Sacrificial Altar of Development: Critiquing Narratives of Developmentalism in Contemporary Chinese Science Fiction
-
Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism
-
Machinations : the figure of technology in the writing of modernity
-
A rotten and dead body : disabled villainy on the early modern stage
-
Guy Butler and South African culture
-
A Morettian literary atlas of Naguib Mahfouz's Cairo in three early realist novels: Cairo modern, Khan al-Khalili, and Midaq alley
-
Towards a modernist aesthetic : dialectical modes of representation in the early modern novel
-
On the Question of ‘Real Modern Art’ in East Germany: Werner Tübke’s Fünf Kontinente
-
An examination of the politico-literary strategies of some Third World writers
-
The narrative thematics of the late style of Henry James : incorporating an analysis of The wings of the dove
-
Chesterton, modernism, and the representation of reality
