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Aspects of Schubert's compositional style as displayed in selected piano sonatas
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A comparison of the keyboard sonatas of Domenico Scarlatti and Antonio Soler
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"Beethoven's Piano Sonatas: a Handbook for Performers," by Stewart Gordon
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"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
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The piano and violin and piano and cello sonatas of Brahms : a study of selected recordings
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A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola
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Automatic self-similarity based form labelling of classical-period piano sonata movements from audio recordings
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Contemporary performance of the sonatas for cello and piano by Ludwig van Beethoven as informed by Carl Czerny
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An orchestration of the Sonata no. 3 in F-sharp minor, Op. 23 by Alexander Scriabin
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Collecting to the Core — Classics of Sociology
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The Spohr fingering principles as manifested in his Violinschule
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Brahms’s Sonata/Quintet Opus 34 : pianism as facilitating concept in establishing the link between technique and interpretation
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A national electronic database of special music collections in South Africa
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Structural-functional analysis in theoretical sociology : a methodological inquiry
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An evaluation of aspects in the applied physiology of brass players
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Creative group music teaching and the principles of Gestalt play therapy in the foundation phase in South African education
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Psychological aspects of one-on-one instrumental teaching at the tertiary level
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
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How did Wolfgang Amadeus Mozart adjust his compositional technique when writing for a Mezzosoprano en travesti? A comparison between the roles of Cherubino and Sesto
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Composing (in) contemporary South Africa
theoretical and musical responses to complexity
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Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain
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The piano and violoncello sonatas of Ludwig Van Beethoven
