Channels :: FRELIP Discovery

Author: Van Robbroeck, Lize

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Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists

Similar Items: Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists

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Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk
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Kontemporere woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars
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Postkoloniale melancholie in Ronelda S. Kamfer se Hammie (2016) en Amen
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Autobiographie et autographie dans l'oeuvre d'Albert Memmi (French)
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Redeeming loneliness: Paul Ricouer's strangeness and recognition in Marilynne Robinson's Gilead, Home and Lila
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The dynamics of oppression portrayed in Harold Pinter's One for the Road and Salah Abdul-Saboor's Night Traveller
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Discourse and identity in Antigone, The Awakening, and The House of Mirth
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’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal
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Myth and counterfactuality in diasporic African women’s novels
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La chaleur chez Albert Camus son 'monde sensible'
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Indlela ababunjwe ngayo abafazi kwiincwadi zedrama ZesiXhosa
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Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking
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Lucian Freud's painterly-pictorial translation of perceived reality : a study that bears relation to my own painting
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Plato en Aristoteles se poetika
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An inner-biblical interpretation and intertextual reading of Ezekiel's recognition formulae with the book of Exodus
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Luke’s use of Abraham as a social identity marker in Luke-Acts
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‘From beyond the rivers of Cush’ : negotiating ethnic identity and Cushite-Israelite interrelations in the Hebrew Bible
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Redeeming loneliness : Paul Ricoeur’s strangeness and recognition in Marilynne Robinson’s Gilead, Home and Lila
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The biological conceptions of language of Chomsky, Bickerton and Lieberman
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The topos of the Great King
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Presentations of masculinity in a selection of male-authored post-apartheid novels
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Cui bono? Cicero's reasons for publication
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Die funksie en betekenis van vroulike metafore vir die stad, land en volk van Jahwe in die boeke Jesaja, Jeremia en Esegiel
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Die liminaliteitsmotief in twee grootwordromans : Jeanne Goosen se o.a. Daantjie dromer (1993) en Dominique Botha se Valsrivier (2013) en Roet (Roman)