Channels :: FRELIP Discovery

Author: Fleishman, Mark

Quick Look
Ouma : performing the myth of the self

Similar Items: Ouma : performing the myth of the self

Quick Look
Self/scape: an exploration of belonging and wayfaring
Quick Look
Performing the (un)inherited language, identity, performance
Quick Look
Mask Performance and The Imaging Consciousness: The relationship between body and non-body in performance
Quick Look
The revelation of the personal archive in performance
Quick Look
Towards performing an afropolitan subjectivity
Quick Look
Playing the truth : the nondual perspective in performance
Quick Look
Grey zones: performances, perspectives, and possibilities in Kashmir
Quick Look
Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self
Quick Look
Recommencing reality : the intersection of public and private identity in performative contexts
Quick Look
Porosity at play: investigating the role of facilitator in the training and performance of masked theatre
Quick Look
Performing Masculinities: Stereotypes and representations of the male body in contemporary South Africa
Quick Look
House of shadows as text and performance : structural and conceptual considerations of/for the contemporary musical play
Quick Look
Subalternity and the negotiation of a theatre identity : performing the postcolony alternative Zimbabwean theatre
Quick Look
Performing Methods of Undress towards a Re-Imagined African Masculine Identity
Quick Look
Imag(in)ing the poetic body : a directorial approach to heightening text(ure) in performance.
Quick Look
Touching on the Untouchable: contesting contemporary Black south african masculinity and cultural identity through performance
Quick Look
Reflections on a body of work/water: re-membering the post-slave female body through performance practice
Quick Look
Theatre of the contact zone : a quest for a means to nurse split psychic spaces in public spheres through the transformation of dramatic texts into performance texts
Quick Look
Chains of memory in the postcolony: performing and remembering the Namibian genocide
Quick Look
Theatre, performance and affect through revolutionary times in Egypt
Quick Look
Fragments of Encounters
Quick Look
Identity and difference without opposition : constructing and exposing strategic subjectivities for social comic comment
Quick Look
Embracing space : reviewing the body-space nexus as a creative tool, inspired by the theories of Rudolph Laban and the Bauhaus movement
Quick Look
Female vocality in theatre : sounding, hearing, and structures of feeling re-framed