Author: Bezuidenhout, Morné
Author: Grove, Izak
Similar Items: South African film music: representation of racial, cultural and national identities, 1931-1969
- Audio Signal Processing in Ironman A development of film music analysis from a perspective of music technology
- Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon
- The life and legacy of Harold David (Hal) Shaper (1931-2004)
- How to copy a song with impunity : a legal perspective on copyright infringement cases for musical works
- Composing (in) contemporary South Africa theoretical and musical responses to complexity
- Exploring thematic unity and stylistic diversity in multi-film scoring practices: the case of hedwig’s theme.
Similar Items: Serial meaning : a semiotic/narratological analysis of Arnold Schoenberg's Third string quartet, first movement
- Arnold Schönberg's Verklärte Nacht [music] : transcription for two pianos
- Density 21.5 by Edgard Varese : a case study of the value of semiology in music analysis
- The string quartets of Roelof Willem Temmingh: style, technique and performance consideration.
- String quartets by South African composers : a comprehensive catalogue and annotated discussion of works composed between 1940 and 2016
- Arnold van Wyk as liedkomponis : ’n ontsluiting van die liedere in die Arnold van Wyk-versameling by die Universiteit Stellenbosch
- 'n Orkestrasie van Arnold van Wyk se Nagmusiek