Author: Schonken, Philip Antoni
Similar Items: Beyond pitch-class: an investigation into the analytical bounds of musical set theory in a selection of South African compositions
- The string quartets of Roelof Willem Temmingh: style, technique and performance consideration.
- Absolute pitch and serial digit recall under irrelevant speech conditions: investigating automatic pitch class labelling through cognitive psychology
- Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano
- Sounds of suffering : a creative response to human suffering and emotional pain in the form of a contemporary composition
- Die gebruik van jazz-stylelemente in die orrelkomposisies van Surendran Reddy (1962-2010)
- Recomposition in the music of Kevin Volans: A comparative study investigating three settings of Chakra