Painting as a response to a sense of dislocation in the South African social fabric
Ma, performing the White, Afrikaner Woman back to self
Breath-Body-Self : an exploration of the body as a site for generating images for performance making
Lessons from an aftermath : recovery of the self through trans-disciplinary applied drama practice
De verhouding van spel en literatuur in de dramatische kunst
Die begrip drama-in-die-onderwys : met verwysing na die toepassing daarvan in Suid-Afrikaanse skole
Using theatre techniques as a tool to enable active learning : searching for a pedagogy to transform spectators into spect-actors
Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensorientering
Die rol van praktiese werk in die onderrig van drama as 'n akademiese dissipline
An examination of the relation of scientific thought to changing notions of time, space and character in 20th century drama: Chekov, Beckett, Foreman
Considering rhythms of emotional proximity: an alternative approach to directing theatre in a violent society
Anarchival dance: choreographic archives and the disruption of knowledge
A Museum of Bottled Sentiments: the ‘beautiful pain syndrome’ in twenty-first century Black South African theatre making
Questions for Amma: Tracing the manifestations of violence on the South African Indian Female body
Remembering Repertoires: exploring performance as a social innovation technology
Neurobiology, empathy and social cognition: the potential benefits of theatre in traumatised communities
Inherited memories : performing the archive
Homecoming: finding a place for shamanic practice in the creation of post colonial theatre
Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town
Remembering in the postcolony : refiguring the past with theatre
Exploring theatrical conventions and the application of palimpsest, polyphony, hauntology, and site-specific, through a scenographic lens
Negative dramaturgies and the development of productive negation
Moving ideas about moving bodies : teaching physical theatre as a response to violence and the violated body
The Whiteface and the Auguste: the integration of structure and spontaneity in contemporary clown theatre performance
