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Inherited memories : performing the archive
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An examination of the relation of scientific thought to changing notions of time, space and character in 20th century drama: Chekov, Beckett, Foreman
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Of place and playmaking: working with everyday city spaces through theatre and performance
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Lessons from an aftermath : recovery of the self through trans-disciplinary applied drama practice
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Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town
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Order through improvisation : engaging the choreographic environment
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Exploring theatrical conventions and the application of palimpsest, polyphony, hauntology, and site-specific, through a scenographic lens
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Theatre as alternative historical narrative : a study of three plays : "Ubu and the Truth Commission", "Copenhagen" and "Ghetto"
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Activating Heterotopia through Knowledge Design : the Case of the Krêkvars-Kopanong Student Arts Festival
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Playing sex : the exploration, creation and transmission of gender codes in puppetry through the exploration of Cleansed
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Exploring active citizenship through spoken word poetry
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The attainment of personal catharsis through the realisation of the dislocation between the internal and external expressive forms of the self
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De verhouding van spel en literatuur in de dramatische kunst
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Die begrip drama-in-die-onderwys : met verwysing na die toepassing daarvan in Suid-Afrikaanse skole
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Using theatre techniques as a tool to enable active learning : searching for a pedagogy to transform spectators into spect-actors
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Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensorientering
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Cape curtains : a study of selected Cape Town theatres, 1843-1916
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Die rol van praktiese werk in die onderrig van drama as 'n akademiese dissipline
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Considering rhythms of emotional proximity: an alternative approach to directing theatre in a violent society
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Anarchival dance: choreographic archives and the disruption of knowledge
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A Museum of Bottled Sentiments: the ‘beautiful pain syndrome’ in twenty-first century Black South African theatre making
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Questions for Amma: Tracing the manifestations of violence on the South African Indian Female body
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Remembering Repertoires: exploring performance as a social innovation technology
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Neurobiology, empathy and social cognition: the potential benefits of theatre in traumatised communities
