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Author: Brown, Jessica Natasha

  • Author: Butcher, Clare
  • Author: Clark-Brown, Peter Gabriel
  • Author: Jenks, Peter
  • Author: Kellner, Clive
  • Author: Macdonald, James
  • Author: Mahashe, George
  • Author: Pratt, Sarah Jane
  • Author: Putter, Andrew
  • Author: Ractliffe, Jo
  • Author: Robins, Kathy
  • Author: Sales, Lyndi
  • Author: Thorne, Jessica Louise
  • Author: Vorster, Alma
  • Author: Winberg, Marlene
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    Ethics of the dust: on the care of a university art collection

Author: Bull, Katherine Gay

  • Author: Butcher, Clare
  • Author: Clark-Brown, Peter Gabriel
  • Author: Jenks, Peter
  • Author: Kellner, Clive
  • Author: Macdonald, James
  • Author: Mahashe, George
  • Author: Pratt, Sarah Jane
  • Author: Putter, Andrew
  • Author: Ractliffe, Jo
  • Author: Robins, Kathy
  • Author: Sales, Lyndi
  • Author: Thorne, Jessica Louise
  • Author: Vorster, Alma
  • Author: Winberg, Marlene
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    Positioning the Cape : a spatial engraving of a shifting frontier

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    Shape-shifting: Reimaging mothering and mother-being
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    Shifting ground : an investigation into an aesthetic of change in the form of a cycle of mural paintings
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    Claiming, breaking and creating : a visual response to the experience of constructed social and spatial constraints
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    An investigation into aspects of formal, spatial and psychological relationships in figurative painting
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    Stranger's Location: Interrogating Apartheid Spatial Legacies and the Idea of Home in New Brighton
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    At sea : documentation and commentary on the body of practical work submitted for the degree of Masters of Fine Art
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    Cape Mongo
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    The geography of inequality in Cape Town: a case study of access to water in Khayelitsha
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    Exploring the lived experiences of primary caregivers of children with visual impairment from a low- and middle-income context in the Western Cape Province
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    "Real" lives and "ordinary" objects: Partisan strategies of art making with garment makers of the Western Cape
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    A history of failure
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    A catalogue of shapes: a composite object portrait of an oral-formulaic Homer
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    A deeper kind of nothing
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    How To Fold A Grid
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    Letting things speak: a case study in the reconfiguring of a South African institutional object collection
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    Variations on a theme by John Herschel
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    The pioneering spirit in the face of mystery : a creative exploration of phenomena pertinent to the information age in a systems paradigm
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    Post- Print: a moment of compression
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    Mend: a personal exploration of healing
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    Denotations of memory a familial archive
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    Chorus for chimeras: a series of etchings towards the development of a personal iconography incorporating symbols, mythologies and ritual
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    A series of sculptures based on a creative investigation of the imagery and formal qualities inherent in selected mechanical structures
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    Res clamant - the land cries out: a practical study of the communicative and visual potential of a large-scale mural painting situated within a defined historical and cultural context
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    A wounded surface : dissolving the human form

Similar Items: Ethics of the dust: on the care of a university art collection

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    Dust imagined : a creative reflection on mortality, anxiety and process
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    How does collective practice function as an artistic strategy
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    Ex Nihilo : emptiness and art
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    Art, Anti-Blackness and the language of protest
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    Clubs of Night: An artistic response into spaces of collective association and coping in a patriarchal time
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    Letting things speak: a case study in the reconfiguring of a South African institutional object collection
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    Obsessive collecting : curiosity of lost objects and unknown narratives, an archive of carte de visites
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    The Printer's Grey : alchemy, ritual and performance in fine art printmaking
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    Re-presenting historical trauma: art-making and the affective imagination
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    Annotations of loss and abundance : an examination of the !kun children's material in the Bleek and Lloyd Collection (1879-1881)
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    Intramediary presence : body, interactivity and networked distribution in immersive virtual reality art
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    At sea : documentation and commentary on the body of practical work submitted for the degree of Masters of Fine Art
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    Contemporary Art Museum Education in the United States of America and South Africa: A retrospective analysis and proposals for the future
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    "Real" lives and "ordinary" objects: Partisan strategies of art making with garment makers of the Western Cape
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    RePair: (im)possibilities of care-taking and making with care in times of isolation
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    Culture, Commerce and Value: The Contemporary South African Fine Art Market in Relation to Concepts of Artistic and Financial Success
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    Further fictions in print
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    The choreography of display : experiential exhibitions in the context of museum practice and theory
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    Positioning the Cape : a spatial engraving of a shifting frontier
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    A history of failure
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    Variations on a theme by John Herschel

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