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Race Day An Explication of the Documentary Film One Mind
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The Great Dance : myth, history and identity in documentary film representation of the Bushmen, 1925-2000
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Making a feature length documentary film linked to the programme for improving mental health care (PRIME) : process and ethical challenges
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A critical reflection on the production of this deadly air we breathe (2023) and the use of participatory and expository modes of representation in documentary films with lessons from Unearthed (2014)
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Family, archive, and the posttraumatic imaginary: an analysis of the role of archival material in the personal documentaries stories we tell, the Imam and I, and grandpa Ernest speaks
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Colour adjustment: race and representation in post-apartheid South African documentary
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Cutting real : self-reflexive editing devices in a selection of contemporary South African documentary films
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Televising truth commissions: the interaction between television, perpetrators, and political transition in South Africa
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The docu-comedy : towards a new genre in the expression of social commentary through comic performance, using documentary film techniques and reality television discourse
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Two shadows in the moonlight : music in British film melodrama of the 1940s
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Seeking the other shore : myth and history in the films of Terrence Malick
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Mediating identity through orality in West African films adapted from literature
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Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014
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Don't hide the madness perception, bipolar and the film form
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Heroines, victims and survivors: female minors as active agents in films about African colonial and postcolonial conflicts
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The alternative press in Black and White: Analysing the representation of black voices in the Weekly Mail's political reporting
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The alternative press in Black and White: Analysing the representation of Black voices in the weekly mails political reporting
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Filial Care and Familial Postmemory. On the Uncanny and Affective Intermediality of Analogue Media Use in Recent European Documentaries
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Begging for change: engaging with Johannesburg in post-apartheid South African film
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Diverse Love: how interracial relationships are portrayed in film: a personal journey
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Exploring nature and environmental conservation through nature and wildlife films in Southern Africa
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Baghdadi Street Life: Examining the Challenges of Representing and Recreating Baghdad in Interactive Documentary – A Practice-Based Case Study
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'Digital storytelling' - unplugged public video voices and impression management in a participatory mobile media project for youth in Khayelitsha, South Africa
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“Tell me about it, Stud”: Queering the Dancing Male Body in Musical and Dance Films of the 1970s and 1980s
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Seeking the other shore : myth and history in the films of Terrence Malick
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Redefining the griot : a history of South African documentary film
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Race Day An Explication of the Documentary Film One Mind
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Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film
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Colour adjustment: race and representation in post-apartheid South African documentary
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The discovery and development of the Namaqualand Diamond Field, 1925-1950
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The discovery and development of the Namaqualand Diamond Field, 1925-1950
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“Tell me about it, Stud”: Queering the Dancing Male Body in Musical and Dance Films of the 1970s and 1980s
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A critical reflection on the production of this deadly air we breathe (2023) and the use of participatory and expository modes of representation in documentary films with lessons from Unearthed (2014)
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Making a feature length documentary film linked to the programme for improving mental health care (PRIME) : process and ethical challenges
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The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History?
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Representing history through film with reference to the documentary film Captor and Captive : perspectives on a 1978 Border War incident
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Creating a 'black film industry' : state intervention and films for African audiences in South Africa, 1956-1990.
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Women's beauty in the history of Tanzania
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Two shadows in the moonlight : music in British film melodrama of the 1940s
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Exploring the value of 'The Rwandan genocide Film' as a pedagogical tool for raising awareness
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Mediating identity through orality in West African films adapted from literature
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The history and politics of liberation archives at Fort Hare
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Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014
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"The father of the revolution": history, memory and the FNLA veterans of Pomfret
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The Nigerian history machine and the production of Middle Belt historiography
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A history of the Colonial Bacteriological Institute 1891-1905
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The viewer as conscript : dynamic struggles for ideological supremacy in the South African Border War film, 1971-1988
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From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989.
